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Originally, it was meant as an alternative to Geoffrey Lee's Impact at Stephenson Blake.
Designer who lives in Buenos Aires and who teaches graphic design and typography at the Universidad de Buenos Aires.
He has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone, and Movicom. Professor at Facultad de Arquitectura, Universidad de Buenos Aires.
Co-creator, with Apostrophe at Apostrophic Laboratory, of Usenet (2000), Font Cop I through IV (2000) and the pixel font family Cayetano.
In 1968, Forma was eventually released as lead type.
As its name implies, Forma aimed at representing the ideal letterform of its time, equally appealing to designers, printers and the general public.
The revival was executed by Font Bureau's David Jonathan Ross in 2013. This gaspipe typeface was digitized by Patrick Griffin at Canada Type in 2007 as Press Gothic.
Creators of New Gothic Textura (2009), Canevas (2010-2012, stitching font), Acme (2013), Tropique (2011, experimental), Minuscule (2012), Tribute (2012, children's hand), Juicy (2010), Eclipse, Thésard, the music-inspired Swing (2010), the heavy monoline sans typeface Acmé (2013), the titling sans typeface Le Creux (2013), and the stitching font Canevas (2013).
Typefaces from 2015 include the multiline neon font Neo Neon. [ Aga Silva is an ex-architect/urban designer, who now lives in Krakow, Poland.
Still at Sudtipos, he digitized the beautiful handwriting/calligraphic typefaces by Angel Koziupa called Alma (2005), Murga, Habano and Tiza, which together with his script typeface Argenta (2004), Oxida (2005), the medieval script typeface Mama Script (2004, designed with Alfredo Graziani), Divina (2004, with Alfredo Graziani), and the sans family Kautiva (2004) can be bought via Umbrella Type.
For children's orthography, he developed Estrada Hand, on commission for Editorial Estrada.